Music as a Mirror Sources-The Ancient World and the Early Church The Middle Ages Introduction to the Renaissance The Renaissance Mass The Madrigal An Introduction to the Baroque Era Style Features of Baroque-era Music National Styles-Italy and Germany Fugue Baroque Opera, Part 1 Baroque Opera, Part 2 The Oratorio The Lutheran Church Cantata Passacaglia Ritornello Form and the Baroque Concerto The Enlightenment and an Introduction to the Classical Era The Viennese Classical Style, Homophony, and the Cadence Classical-era Form-Theme and Variations Classical-era Form-Minuet and Trio: Baroque Antecedents Classical-era Form-Minuet and Trio Form Classical-era Form-Rondo Form Classical-era Form-Sonata Form, Part 1 Classical-era Form-Sonata Form, Part 2 Classical-era Form-Sonata Form, Part 3 The Symphony-Music for Every Person The Solo Concerto Classical-era Opera-The Rise of Opera Buffa Classical-era Opera, Part 2-Mozart and the Operatic Ensemble The French Revolution and an Introduction to Beethoven Beethoven's Symphony no. 5 in C Minor, op. 67, Part 1 Beethoven's Symphony no. 5 in C Minor, op. 67, Part 2 Introduction to Romanticism Formal Challenges and Solutions in Early Romantic Music The Program Symphony-Berlioz's Symphonie fantastique, Part 1 The Program Symphony-Berlioz's Symphonie fantastique, Part 2 19th-Century Italian Opera-Bel Canto Opera 19th-Century Italian Opera-Giuseppe Verdi 19th-Century German Opera-Nationalism and Experimentation 19th-Century German Opera-Richard Wagner The Concert Overture, Part 1 The Concert Overture, Part 2 Romantic-era Musical Nationalism Russian Nationalism An Introduction to Early 20th-Century Modernism Early 20th-Century Modernism-Claude Debussy Early 20th-Century Modernism-Igor Stravinsky Early 20th-Century Modernism-Arnold Schönberg.
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